Bibliography: she's buoyant
These are works that I consulted, served as sources of inspiration, or were otherwise formative to the creation of she’s buoyant.
Albarrán, M. Garea. “Opacity in Open Air: Producing Queer Outsides through Glissant’s Poetics of Relation.” Krisis | Journal for Contemporary Philosophy 44, no. 1 (June 6, 2024): 37–51. https://doi.org/10.21827/krisis.44.1.40989.
Aqua Frolics. Journeyman Pictures, 1950. http://archive.org/details/aqua_frolics.
Arondekar, Anjali, Ann Cvetkovich, Christina B. Hanhardt, Regina Kunzel, Tavia Nyong’o, Juana María Rodríguez, Susan Stryker, Daniel Marshall, Kevin P. Murphy, and Zeb Tortorici. “Queering Archives: A Roundtable Discussion.” Radical History Review 2015, no. 122 (May 1, 2015): 211–31. https://doi.org/10.1215/01636545-2849630.
Arroyo-Ramírez, Elvia. “Radical Empathy in the Context of Suspended Grief: An Affective Web of Mutual Loss.” Journal of Critical Library and Information Studies 3 (February 1, 2022). https://journals.litwinbooks.com/index.php/jclis/article/view/134.
Atkinson, Meera. “Strange Body Bedfellows: Écriture Féminine and the Poetics of Trans-Trauma.” TEXT 18, no. 1 (April 29, 2014). https://doi.org/10.52086/001c.27318.
Bauer, Robin. “Cybercocks and Holodicks: Renegotiating the Boundaries of Material Embodiment in Les-Bi-Trans-Queer BDSM Practices.” Graduate Journal of Social Science 14, no. 2 (2018): 58–82.
Berlant, Lauren. “Intuitionists: History and the Affective Event.” American Literary History 20, no. 4 (September 19, 2008): 845–60. https://doi.org/10.1093/alh/ajn039.
Berry, Dorothy. “All History Is Imaginary: Actually Existing Archives and Narrative Creation.” Archival Imaginaries, Pennsylvania State University Center for Humanities and Information, April 2, 2021.
Bickhard, Mark H. “Function, Anticipation, Representation.” In AIP Conference Proceedings, 573:459–69. Liege (Belgium): AIP, 2001. https://doi.org/10.1063/1.1388712.
Bickhard, Mark H. “Variations in Variation and Selection: The Ubiquity of the Variation-and-Selective-Retention Ratchet in Emergent Organizational Complexity.” Foundations of Science 8 (2003): 283–93.
Blake, William. Aphrodite: A Mythical Journey in Eight Episodes. London? World’s End Press, 1970.
Bröndum, Lars. “Graphic Notation, Indeterminacy and Improvisation: Implementing Choice Within a Compositional Framework.” Open Cultural Studies 2, no. 1 (December 1, 2018): 639–53. https://doi.org/10.1515/culture-2018-0058.
Brooten, Bernadette J. Love between Women: Early Christian Responses to Female Homoeroticism. The Chicago Series on Sexuality, History, and Society. Chicago: University of Chicago Press, 1996.
Burgund, Nicole H. “Trying to Say the Whole Thing: Ludwig Wittgenstein and the Ethics of Autobiography.” PhD Thesis, University of Washington, 2016.
Casini, Silvia. “Synesthesia, Transformation and Synthesis: Toward a Multi-Sensory Pedagogy of the Image.” The Senses and Society 12, no. 1 (January 2, 2017): 1–17. https://doi.org/10.1080/17458927.2017.1268811.
Chaucer, Geoffrey, and Ann Brunskill. The Romaunt of the Rose. London: World’s End Press, 1974.
Chi, Elisha. “Refusal.” Political Theology Network, November 15, 2022. https://politicaltheology.com/refusal/.
Collier, Geoffrey L. “Affective Synesthesia: Extracting Emotion Space from Simple Perceptual Stimuli.” Motivation and Emotion 20 (1996): 1–32.
Coman, Jonah. “Queering Christ: Habitus Theology as Trans-Embodied Incarnation in Late Medieval Culture.” PhD Thesis, Glasgow School of Art, 2019.
Cook, Jamiee Nichole. “Coming-Into-Identity: Sensory and Linguistic Resistance in Multi-Ethnic Lesbian Literature.” PhD Thesis, University of California, Santa Barbara, 2024. https://www.proquest.com/dissertations-theses/coming-into-identity-sensory-linguistic/docview/3099338791/se-2.
Cornum, Lou. “The World to Cum.” Canadian Art, February 26, 2019. https://canadianart.ca/features/the-world-to-cum/.
Crawford, Lucas. “The Crumple and the Scrape.” Places Journal, 2020. https://placesjournal.org/article/the-crumple-and-the-scrape/.
Cruz, Cynthia. “Beyond Negative Freedom and the Working Class Subject: Another Kind of Madness.” Open Philosophy 6, no. 1 (January 1, 2023). https://doi.org/10.1515/opphil-2022-0236.
———. Disquieting: Essays on Silence. Book*hug Press, 2019.
Cvetkovich, Ann. “Drawing the Archive in Alison Bechdel’s ‘Fun Home.’” Women’s Studies Quarterly 36, no. 1/2 (2008): 111–28.
Davies, Lowana-Skye. “Precarious Smellscapes-Deepening Our Olfactory Understanding of Slow Violence; Sustaining More-than-Human Futures.” PhD Thesis, Queensland University of Technology, 2023. https://eprints.qut.edu.au/240361/.
Day, Sean A. Synesthetes. North Charleston: SC: CreateSpace, 2016. https://diatrope.com/DB_docs/Day_Synesthetes.pdf.
Delgado Huitrón, Cynthia Citlallin. “Haptic Tactic: Hypertenderness for the [Mexican] State and the Performances of Lia García.” Transgender Studies Quarterly 6, no. 2 (2019): 164–79.
Devor, Aaron. “Witnessing and Mirroring: A Fourteen Stage Model of Transsexual Identity Formation.” Journal of Gay & Lesbian Mental Health 8, no. 1 (2004): 41–67. https://doi.org/10.1080/19359705.2004.9962366.
Dykema, Amanda. “Embodied Knowledges: Synesthesia and the Archive in Monique Truong’s Bitter in the Mouth.” Multi-Ethnic Literature of the United States 39, no. 1 (2014): 106–29. https://doi.org/10.1093/melus/mlt065.
Eckhardt, Julia, and Éliane Radigue. Espaces intermédiaires = Intermediary Spaces. Les presses du réel, 2019.
Edmonds, Lorrie. “Desertsoundlore: Deep Listening to Aura in the Mojave Desert.” Masters, Concordia University, 2021. https://doi.org/10/EDMONDS_MA_audio2.wav.
Ess, Jackie. “Trans Counter-Studies: What May I Do? What Must I Be?” Accessed April 7, 2024. https://buttondown.email/jackie_ess/archive/trans-counter-studies-what-may-i-do-what-must-i-be/.
Estrada, Jeffrey Mario. “Effects of Sensory Deprivation on the Retrieval of Remote Memories.” Ph.D., Arizona State University, 1980. https://www.proquest.com/docview/302993129/abstract/853C9FF2E2B04557PQ/1.
Federici, Silvia. Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle. PM Press, 2020.
Fielding, James M. “An Aesthetics of the Ordinary: Wittgenstein and John Cage: An Aesthetics of the Ordinary.” The Journal of Aesthetics and Art Criticism 72, no. 2 (May 2014): 157–67. https://doi.org/10.1111/jaac.12071.
Flanagan, Robert. “Sensory Deprivation: Issues of Control.” Session 09: Design Theory, n.d., 214.
Foster, Hal. “An Archival Impulse.” October, no. 110 (October 1, 2004): 3–22. https://doi.org/10.1162/0162287042379847.
Geiger, Jeffrey. “Intimate Media: New Queer Documentary and the Sensory Turn.” Studies in Documentary Film 14, no. 3 (September 1, 2020): 177–201. https://doi.org/10.1080/17503280.2019.1632161.
Gilbert, Aster. “Sissy Remixed: Trans* Porno Remix and Constructing the Trans* Subject.” Transgender Studies Quarterly 7, no. 2 (2020): 222–36. https://doi.org/10.1215/23289252-8143379.
Hale, Jacob. “Are Lesbians Women?” Hypatia 11, no. 2 (1996): 94–121. https://doi.org/10.1111/j.1527-2001.1996.tb00666.x.
Hall, Amy Cox. “Archival Labyrinth: Words, Things and Bodies in Epistemic Formation.” Tapuya: Latin American Science, Technology and Society 1, no. 1 (January 1, 2018): 170–85. https://doi.org/10.1080/25729861.2018.1514713.
Heyam, Kit. Before We Were Trans: A New History of Gender. First US edition. New York: Seal Press, 2022.
Howitt, H. “How We Fuck: Assembling Intimacy-as-Method to Research Trans Sex Practices.” Gender, Place & Culture, March 9, 2023, 1–20. https://doi.org/10.1080/0966369X.2023.2182738.
Jemison, Steffani. “DRAFTS.” Artforum (blog), April 1, 2019. https://www.artforum.com/features/steffani-jemison-on-the-stroke-the-glyph-and-the-mark-242656/.
Johnson, Megan. “Sounding a Crip Aesthetic: Transforming the Sonic in Samuel Beckett’s Not I.” Performance Matters 6, no. 2 (2020): 67–84.
Kane, Paula M. “‘She Offered Herself up’: The Victim Soul and Victim Spirituality in Catholicism.” Church History 71, no. 1 (March 2002): 80–119. https://doi.org/10.1017/S0009640700095160.
Knowles, Alison, Eleanor Heartney, Meredith Monk, Linda Montano, Erik Ehn, and Bonnie Marranca. “Art as Spiritual Practice.” PAJ: A Journal of Performance and Art 24, no. 3 (2002): 18–34.
Krekels, Tina. “Loosening the Saxophone: Entanglements of Bodies in the Politics of Free Improvisation.” PhD Thesis, University of Edinburgh, 2019. https://era.ed.ac.uk/handle/1842/36022.
———. “Spit Saxophone Spit.” Riffs 3, no. 1 (April 2019): 11–23.
Kügler, Peter. “The Benefits of Living Without Meaning Sub Specie Aeternitatis.” The Journal of Value Inquiry 57, no. 3 (September 1, 2023): 499–514. https://doi.org/10.1007/s10790-021-09839-5.
Lady Lifeguards. Central Pictures, 1940. http://archive.org/details/LadyLifeguar.
Lavery, Grace. “Egg Theory’s Early Style.” TSQ: Transgender Studies Quarterly 7, no. 3 (August 1, 2020): 383–98. https://doi.org/10.1215/23289252-8553034.
Le Guin, Ursula K. “A Non-Euclidean View of California as a Cold Place to Be.” In Dancing at the Edge of the World. London: Gollancz, 1989.
Lewis, Antonina. “Omelettes in the Stack: Archival Fragility and the Aforeafter.” Archivaria 86 (2018): 44–67.
Maciunas, Billie. “Feminist Epistemology in Piercy’s Woman on the Edge of Time.” Women’s Studies 20, no. 3–4 (March 1, 1992): 249–58. https://doi.org/10.1080/00497878.1992.9978911.
Migone, Christof. “Spit.” Women & Performance: A Journal of Feminist Theory 11, no. 1 (January 1, 1999): 17–19. https://doi.org/10.1080/07407709908571311.
Milonni, Peter W. “Zero-Point Energy in Early Quantum Theory,” January 1, 1991. https://doi.org/10.1119/1.16772.
Neverow, Vara. “The Politics of Incorporation and Embodiment: Woman on the Edge of Time and He, She and It as Feminist Epistemologies of Resistance.” Utopian Studies 5, no. 2 (1994): 16–35.
Nyong’o, Tavia. “Opacity, Narration, and ‘The Fathomless Word.’” Representations 158, no. 1 (May 1, 2022): 45–56. https://doi.org/10.1525/rep.2022.158.5.45.
Nyong’o, Tavia. “Period Rush: Affective Transfers in Recent Queer Art and Performance.” Theatre History Studies 28 (2008): 42-48,202.
Oliveros, Pauline, Laurie Anderson, and IONE. Quantum Listening. London: Silver Press, 2022.
Orleans, Elzbieta M. “L’Apparition-Appropriation of Archival and Found Material in a Post-Digital Audiovisual Practice.” PhD Thesis, University of Glasgow, 2023. https://theses.gla.ac.uk/id/eprint/83450.
O’Rourke, Michael. “Time’s Tangles.” Social Text Online, July 10, 2014. https://socialtextjournal.org/periscope_article/times-tangles/.
Otto, Elizabeth. Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics. MIT Press, 2023.
Paige, Steven Mark. “Meeting the Archive Through An Interdisciplinary Artistic Practice.” PhD Thesis, University of Plymouth, 2019. https://pearl.plymouth.ac.uk/foahb-theses-other/11.
Pickett-Palmer, Lili. “Relationality and Opacity: Approaching Trans in Cinema.” PhD Thesis, University of Cambridge, 2021. https://doi.org/10.17863/CAM.85044.
Pitt, David. “Alter Egos and Their Names.” The Journal of Philosophy 98, no. 10 (2001): 531–52. https://doi.org/10.2307/3649468.
SAMOIS (Organization), ed. Coming to Power: Writings and Graphics on Lesbian S/M, S/M: A Form of Eroticism Based on a Consensual Exchange of Power. 3rd U.S. ed., rev.Updated. Boston: Alyson Publications, 1987.
Santalla, Phoebe. “Seeing Is Believing: Observing Trans Spirituality Through The Smith-Waite Tarot.” MFA Thesis, Washington University in St. Louise, 2024. https://openscholarship.wustl.edu/mfa_illustration/30/.
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Shukaitis, Stevphen. Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Life. Brooklyn, NY: Autonomedia, 2009.
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Somojiono, Max. “An Autonomous Life: An Ethnographic Study on Contesting Neo-Liberal Urban Life through Artistic Practices and Alternative Ways of Living in Amsterdam.” Master’s Thesis, Utrecht Univerity, 2018. https://studenttheses.uu.nl/handle/20.500.12932/31263.
Steinbock, Eliza. “Look! But Also, Touch!: Theorizing Images of Trans Eroticism Beyond a Politics of Visual Essentialism.” In Porno-Graphics and Porno-Tactics: Desire, Affect, and Representation in Pornography, by Eirini Avramopoulou and Irene Peano, 59–71. Punctum Books, 2016. https://doi.org/10.1353/book.76508.
Strausa, Annie. “Sensory Aesthetics and Feminist Modernisms: A Revisionary Study of Novels by Virginia Woolf.” PhD Thesis, University of Bristol. Accessed October 22, 2024. https://research-information.bris.ac.uk/files/388674490/Final_Corrected_PGR_submission_Strausa_Annie_1210041.pdf.
Stryker, Susan. “Dungeon Intimacies: The Poetics of Transsexual Sadomasochism.” Parallax 14, no. 1 (January 2008): 36–47. https://doi.org/10.1080/13534640701781362.
———. “My Words to Victor Frankenstein Above the Village of Chamounix.” In The Transgender Studies Reader Remix, by Susan Stryker and Dylan McCarthy Blackston, 67–79, 1st ed. New York: Routledge, 2022. https://doi.org/10.4324/9781003206255-9.
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